Osman Yousefzada

Osman Yousefzada is a British-born interdisciplinary artist and writer of Pakistani heritage whose practice spans sculpture, installation, textile, moving image, garment making and performance. Grounded in storytelling, his work draws on autobiography, fiction and ritual to explore migration, displacement and the ways bodies carry history, memory and transformation.

Working across multiple mediums, Yousefzada examines the social and political structures that shape identity, belonging and exclusion. His work frequently considers the ruptures and continuities of migrational experience, bringing together personal narratives and collective histories to reflect on questions of movement, inheritance and cultural memory. Through sculpture, installation, performance and moving image, he creates immersive environments in which the body becomes a site of both resistance and possibility.

His work has been presented internationally at institutions including Tate Modern, Whitechapel Gallery, Ikon Gallery, Victoria and Albert Museum, Design Museum, Museum of Contemporary Art Australia, Lahore Museum and the Dhaka Art Summit. Recent projects include What Is Seen and What Is Not (2022), a series of site-specific interventions at the Victoria and Albert Museum marking the 75th anniversary of Pakistan’s independence, and a major installation at Palazzo Franchetti presented in conjunction with the 60th Venice Biennale.

Alongside his artistic practice, Yousefzada is a Research Practitioner at the Royal College of Art and a Visiting Fellow at the University of Cambridge. His memoir, The Go-Between (2022), won the Slightly Foxed Best First Biography Prize and was